
This one is excellent. A true find in the Scratchy tradition. Even I lost my nerve when first confronted with it's scary Orwellian post-punk cover. Such ugliness! But do not fear, my friends of broad and somewhat forgiving taste, for this is a minor gem.
An angular but spacious guitar sound and clear, prominent bass jell seamlessly. Breathy vocals, often multi-tracked, add an ethereality that is almost comforting, almost. The drums stand out as the band's signature; driving tom-toms with a touch of machine-gun snare and very little cymbal. And, hark! Is that a saxophone? Odd production touches and synth weirdness jump out now and again, just to keep you off-balance.
A friend of mine was a figure in the Liverpool scene of this period and I excitedly asked him if he knew of Modern Eon. "Yeah, I auditioned to be their drummer once. But they wanted all sorts of breaks and fancy shamncy stuff so I thought bollux to it. They were nice lads, but moody; specially the bass player." Ah, bass players, isn't it always thus? This link is to a wonderful blog, dedicated to a wonderful city at a wonderful point in its history.
http://music-isms.blogspot.com/
No comments:
Post a Comment