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There's mumblings in the media about the some sections of youth of today rejecting the cruddy sound of CD's and even worse noise of an mp3 and instead taking up the more decadent aural delights of vinyl records. Some of it is hipster bandwagoning, I'm sure, but it warms the cockles of my heart to know that the next generation of music lovers are ready to take on the mantle of being vinyl bores.
However this revolution isn't happening quick enough for my liking. For unless there's a tipping point of teenagers demanding to be able to buy the sounds of their latest favourite, fly by night indie band, pressed in that glorious black plastic, the likelihood of top quality record shops reappearing on the high street is going to remain a wistful pipe dream.
I yearn for the return of those dusty shabby overpriced music stores haphazardly stacked full of platters in no discernible order, run by insolent staff barely able to suppress their contempt for the customers. It's part of my cultural heritage visiting such establishments. The well worn ritual of tramping along to some inauspicious part of town, foregoing the convenience and comfort of being able to sit in front of my computer and ordering the latest 'must have' tracks in a jiffy for my music fix. This is an essential part of my cultural fibre and I demand to have the right to cross the threshold of a premise, as described above, to have my hard earned wonga relieved of me by some callow oik, who has correctly surmised that here comes another £50 man, recommend me the usual Snow Patrol and Fleetwood Mac remastered albums from the Dad rock section, before sending me merrily on my way clutching the bounty in a crisp plastic bag which will break five minutes down the road.
However this revolution isn't happening quick enough for my liking. For unless there's a tipping point of teenagers demanding to be able to buy the sounds of their latest favourite, fly by night indie band, pressed in that glorious black plastic, the likelihood of top quality record shops reappearing on the high street is going to remain a wistful pipe dream.
I yearn for the return of those dusty shabby overpriced music stores haphazardly stacked full of platters in no discernible order, run by insolent staff barely able to suppress their contempt for the customers. It's part of my cultural heritage visiting such establishments. The well worn ritual of tramping along to some inauspicious part of town, foregoing the convenience and comfort of being able to sit in front of my computer and ordering the latest 'must have' tracks in a jiffy for my music fix. This is an essential part of my cultural fibre and I demand to have the right to cross the threshold of a premise, as described above, to have my hard earned wonga relieved of me by some callow oik, who has correctly surmised that here comes another £50 man, recommend me the usual Snow Patrol and Fleetwood Mac remastered albums from the Dad rock section, before sending me merrily on my way clutching the bounty in a crisp plastic bag which will break five minutes down the road.
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The Kiddieland Chorus directed by actor Lee Gotch
Old King Cole
Mary Had Little Lamb
Peas Pudding Hot
Simple Simon
Sing A Song Of Sixpence
To Market, To Market
Ding Dong Bell
Ding Dong Bell
Little Jack Horner
Three Blind Mice
A Frog He Would A Wooing Go
Hickory Dickory Dock
Hey Diddle Diddle
Side Two
Old MacDonald Had A Farm
London Bridge
Mulberry Bush
Mulberry Bush
Alphabet Song
Calendar Song
Ten Little Indians
Rock A Bye Baby
Ten Little Indians
Rock A Bye Baby
Sweet And Low
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A couple of alternative covers are shown as well, including one featuring a rather dull woodland scene, via Jacob Whittaker (please contact me if you want this removed) apparently there's also a version featuring the legendary British actress Wendy Craig around but no images found so far.
Lee Gotch was behind The Ivy Barflies record which was full of drinking songs sung presumably aimed at college going party guys. Was this really a suitable role model to be involved in an album aimed at our impressionable youth!
www.flickr.com/photos/jacobwhittaker/4106635722/
www.rateyourmusic.com/artist/lee_gotchs_ivy_barflies
www.discogs.com/Lee-Gotchs-Ivy-Barflies-To-The-Tables-Down-At-Morys/release/1428401
http://rateyourmusic.com/release/album/the_kiddieland_chorus/songs_for_children_f1/bum/the_kiddieland_chorus/songs_for_children_f1/

A couple of alternative covers are shown as well, including one featuring a rather dull woodland scene, via Jacob Whittaker (please contact me if you want this removed) apparently there's also a version featuring the legendary British actress Wendy Craig around but no images found so far.
Lee Gotch was behind The Ivy Barflies record which was full of drinking songs sung presumably aimed at college going party guys. Was this really a suitable role model to be involved in an album aimed at our impressionable youth!
www.flickr.com/photos/jacobwhittaker/4106635722/
www.rateyourmusic.com/artist/lee_gotchs_ivy_barflies
www.discogs.com/Lee-Gotchs-Ivy-Barflies-To-The-Tables-Down-At-Morys/release/1428401
http://rateyourmusic.com/release/album/the_kiddieland_chorus/songs_for_children_f1/bum/the_kiddieland_chorus/songs_for_children_f1/
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