Showing posts with label classical. Show all posts
Showing posts with label classical. Show all posts

Sunday, 31 January 2010

The World Of Your Hundred Best Tunes

Here’s my homage to an often overlooked piece of vinyl history, let’s put a spotlight on a series of records that are a staple part of many a charity shop record pile. ‘The World of Your Hundred Best Tunes’ was a spin off from the long running BBC radio programme of the same name. . ‘Your Hundred Best Tunes’ was originally commissioned for a 13-week run with the intention of finding the "best 100 tunes in the world" and it ran for forty seven years, between 1959 and 2007. The show was devised and presented by Alan Keith and it (and he) became a great British institution. He went on to become the longest serving and oldest presenter on British radio. After Keith’s death in 2003, the responsibility of taking up the presenting helm fell to Richard Baker, however he couldn’t arrest the falling listening figures and eventually the programme was axed.

Alan Keith was the professional stage name of Alexander Kossoff. His brother was David Kossoff who as an actor and television presenter of some note, older readers may remember him as the hen-pecked husband Alf Larkins in the domestic sitcom The Larkins. He also appeared in numerous film roles, one of which A Kid For Two Farthings, directed by Carol Reed in 1955 is well worth tracking down. Kossoff plays an East End tailor called Kandinsky who is befriended by a boy called Joe, who has bought what he believes to be a unicorn, which he hopes will bring good luck to his friends in the austere rationed post war neighbourhood. It is actually a sickly little goat; with just one twisted horn in the middle of its forehead, but the community play along with this make believe. It’s a fascinating and unusual film, mixing magic realism with kitchen sink drama and highly recommended.

If that family name seems familiar it’s because David’s son was Paul Kossoff, lead guitarist of heavy blues rockers band Free. Sadly, he died at just 25 from a heart attack following years of drug addiction but during his time in Free he was responsible for some of the finest guitar solos of that period and made an immense contribution to classic tracks All Right Now, My Brother Jake and Wishing Well, all contenders in my list of hundred best tunes.

Volume 2

pressed in 1971, has Alan Keith gazing longingly at the cover of what I presume is a copy of Volume 1 “The Top Ten” featuring a semi comatose listener, zonked out in an armchair, with the radio set to Alan’s Sunday evening broadcast. It’s a lukewarm start to the series in terms of vinyl cover goodness.

Volume 3

is a particular favourite of mine, all the family are sitting around the monstrous fireplace with a proper fire roaring away, the radio on and there isn’t a television in sight. The daughter is dutifully spending time with the ‘olds’ and the family pooch completes the scene. I suspect though, that her minds on other things, perhaps how to get out of there and into her own groovy pad where she can hold swinging parties and is able to listen to some contemporary tunes instead of this fuddy duddy music.

Volume 4

Has a bit of a dull cover on it, truth be told. A boringly normal couple snuggle up on the sofa, next to the now ubiquitous radio, each with a glass of water perched on the rather tasteful coffee table! Only the oversized lamp hints of the interior design madness of the era. Surely, it’s a cover up! you can’t fool me, I’ve watched ‘Abigail’s Party’, we know what went on behind closed doors at these soirees: Demis Roussos on the 8track, papyrus grass knowingly grown outside on the front lawn, sets of keys in the ashtray, copious lines of Columbian Marching Powder glistening on the polished glass table. You can’t tell me that this cover actually shows how people really entertained themselves back in the early Seventies.

Volume 5

Goes all rustic and manages to come up with a classic cover. A young buck has taken his date for a punt down the river and has stopped by the riverside to listen to our favourite light entertainment show on his portable radio with the fragrant damsel in tow, she’s sporting a rather fetching gaudy floral dress and oversized floppy sun hat. Our suitor, posing in a classic catalogue man pose, begs many questions. Will he act like a gentleman? What are his real intentions? Will she put out? Why did he take her outside on such a cold and dank day? But most all we are asking... what the heck is the old nag doing in the photo? Hey Dobbin! You’re cramping his style, don’t you know, three’s a crowd!

Volume 6

Ssees us restored to the cosy warmth of residing beside the hearth, with a rather impressive inglenook on display and proper fire blazing away within it; this is a residence with a touch of quality. The owner of this nest is ‘dear ole grandma’ who’s got the radio on a bit too loudly because she’s a bit ‘mutt an jeff’ in her advanced years. I suspect the two young’ uns are her grandchildren, come to visit their Nana and build up some brownie points by humouring her for a few hours. After all, a bit of effort currying favour in this stage could lead to a big payoff down the line in her will. Let’s face it, she’s not long for this world and she’s sitting on a sizable asset, it’s got oak beams an all. The sense of competition between the two siblings is palatable as they play off versus each other. The floppy haired chap with the green suede jacket has always been the apple of Nana’s eye, even though his behaviour of late has been slightly concerning, dropping out of university and that unfortunate incident with the funny cigarette: Well, let’s best not go there. The granddaughter’s blossomed into a bonny lass and such a sensible head on her shoulders too, if only she would find a nice young man to settle down with a have some babies. All this talk of having a career though, tut! What’s the world coming to? The dogs not fooled though, he can sniff the fettered odour of ingratiation in the air as he makes his opinion known in the only way he can, with a long low threatening growl.

Volume 7

We go all stately and grandiose with a shot of a dapper young couple resting on the patio next to some serious pot plant ornament and statue action. The sun is out and our lass is looking very ‘Vogue 1973 cover star’ with the faux country servant girl chic apparel. However, something is wrong as the sexual chemistry between them is nowhere to be seen. The guy is grinning like a gormless loon, but isn’t sure what to say next, so he’s switched on the radio to fill the silence. The friend who set these two up, made a serious misjudgement, on this blind date. He thinks he’s lucked out and is on a roll thanks to his lucky checked shirt with the extra wide lapels, but she’s having none of it and is plotting how best to ditch the dopey lunk without causing too much of a scene. That guy who arrived earlier in the Triumph Stag has caught her eye and seemed to be available, even more importantly, he was free and easy with buying the G & T’s.

Volume 8

After the disaster of the previous volume Alan’s decided to come back, rest assured we’re in safe hands now, as the old pro shows us how to present a classic cover, a dignified stance in a gentlemen’s club style, loafing about in the armchair, more quality leather antique furniture dotted about the room, a modest fireplace, class never boasts you know and the wall to wall shelves are full of dusty old tomes in the background (risqué men’s periodicals nestled discreetly between the classic fiction and complete run of Shakespeare) A well hung painting one of the St Ives school, a pleasant harbour scene picked up for a song is worth a tidy sum now. The whole scene is set off with some strategically placed foliage, including a splendid spider plant. The horizontal stored pile of vinyl is the only small fly in this interior ointment, preventing this from being a perfectly executed music listening scene with just the right ambience.

Volume 9

The most striking cover of the series has to be this one featuring a lady sitting in the now ubiquitous armchair, (obviously, 100 Best Tunes was meant to be listened to at leisure with due consideration, rather than as background noise whilst ironing, cooking etc) next to her is a girl, who looks spellbound, it’s as if she’s completely been hypnotised by the wonderful music emanating from the nearby record player. Not only that! We have an appearance of a proper good old fashioned deck, there’s a good selection of platters scattered around the room, from the ‘Hundred Best Tunes’ series. Whether the lady is her mother is unclear, but she’s smiling benevolently at the girl. In fact, it’s more than a maternal gaze; there’s an ever so slightly sinister vibe in the woman’s body language, a controlling nuance with an undercurrent of a silent but implicit threat. This ‘Miss Havisham’ won’t countenance any new fangled Beatles type pop music being played under her roof from ‘Estella’ and woe betide the little madam if she’s tries to go against her express wishes. However, our supplicant is already an empty vessel, with the type of vacant stare, more often associated with newly indoctrinated religious cult members. Next stop for her retraining schedule, is the specially constructed ‘Hundred Best Tunes compound’ fully kitted out with ultra loud floral curtains and mock log fire electric heaters, cocooned from the pernicious influences of teenage rebellion, cut off from all this devil’s music and the immoral behaviour that it inspires.

Volume 10

The series culminates with an image to appeal to the youth market; a groovy couple chill out at home, accompanied by the now (over)familiar props: fake log fireplace, check! Grandpa’s favourite armchair check! Chunky oak effect radio check! Antique furniture check! Pot plants check! Garish curtains check! However, our hip cats are posing in a distinctly relaxed style, in fact, they look remarkably similar to Peter Bowles and Penelope Keith in the classic ITV Eighties sitcom ‘To The Manor Born’ The scene is completed with a cheeky glass of wine on the table! It might seem to be just one civilised glass of chardonnay for now, but mark my words it’ll lead to necking copious quantities of booze at home, slumped in front of the radio and inevitably leading to dereliction and degradation down the line. Passed out in the armchair on a Sunday night, a bottle of supermarket own brand vodka nestled in the lap, not even the white noise from the radio can wake them from their slumbers. Alan Keith’s soothing voice has long since departed from the airwaves on that evening’s edition of ‘Your Hundred Best Tunes’.

http://en.wikipedia.org/wiki/Your_Hundred_Best_Tunesnes

http://www.radiorewind.co.uk/radio2/your_100_best_tunes_page.htm_tunes_page.htm

http://k9life.blogspot.com/2007/07/your-100-best-100-best-programmes.htmlbest-programmes.html

http://en.wikipedia.org/wiki/Alan_Keith

http://en.wikipedia.org/wiki/Paul_Kossoff

http://en.wikipedia.org/wiki/David_Kossoff


Sunday, 6 September 2009

Hear This! 'Hanging out with Itchy and Scratchy'

People often ask me, what's it like hanging out at Scratchy Towers? usually followed by comments such as "I bet it's just one long session of wine, wimmin' and song" "it must be one long groovy party, what with all those legendary vinyl platters being given a spin" and "Do you live your life like a superstar D.J?"

Well my inquisitive vinyl loving chums, I usually like to keep a low profile to keep out of the tabloids, but I can exclusively reveal that life at Scratchy Towers is all of the above and so much more. Here is a rare photo of myself and Mr Knackers in deep discussion, at the H.Q command centre. We've taken a short break from the non stop hedonism, in order to sort the wheat from the chaff, deciding which platters really matter and should be given a spin at the next non stop banging V.I.P rave.

O.K, it's actually a rather lovely oddity of a record, featuring a conversation between the late Bob Auger, a highly respected sound engineer and Bob Hardcastle, a leading music producer (any further information on Mr Hardcastle would be appreciated)

Bob Auger worked on "a number of high-profile public occasions both in the pop and classical fields. These included as varied events as the 1969 Isle of Wight Pop Festival, the Rolling Stones in Hyde Park, Frank Sinatra's charity concert at the Festival Hall and Karlheinz Stockhausen's concert in the same hall in the mid-1970s" He also turned his talents to some of the most famous pop songs to come out of Pye Records in the Sixties such as The Kinks "You Really Got Me" "Sunny Afternoon"The Animals "House of the Rising Sun" and The Spencer Davis Group "Keep on Running"

Hear This!
1981 Discourses Limited DCL 1224

Side One
Reinhold Gliere Symphony No.3 in B minor
John Stanley Six Organ Concertos Op 10 No 5 in A major
Ludwig Van Beethoven The Piano Concerto No 4 in G major
Carl Maria Von Weber Concertino in E flat Op 26
Franz Schubert Piano Quintet in A Major
Scott Joplin Extract from Sunflower Slow Drag

Side 2
Antonio Vivaldi The Four Seasons Concerto No 3 (Autumn)
Joseph Haydn Symphony No 104
Enrique Granados Marche Militaire
Claude Debussy Images
Edvard Grieg Olav Trygvason

In between each extract our two Bobs discuss such important matters as recording locations, The best of mono, channel tests and microphone placement, balance,multi-microphone techniques and multi-track recording, tape editing, dolby and non-dolby comparison and digital recording and the future.

As it says on the cover "Your unique invitation to join a well-known engineer and a producer talking about good recorded sound, from the early days of mono to superb digital recordings of the 1980's" Thanks for the invite gents, it was a pleasure.

http://www.independent.co.uk/arts-entertainment/obituary-bob-auger-1068562.html

http://wiki.ibs.org.uk/audiocompendium/index.php?title=Auger

Monday, 25 May 2009

A Broken Consort - Box Of Birch

A Broken Consort is the moniker for one of Lancashire artist Richard Skelton's musical projects, it's meaning is originally, to stand for an ensemble whose instruments are not all from the same family (read more here)

Richard Skelton is an artist from Lancashire, UK, who has created and collaborated in spine tingling music under a number of guises including Heidika, Riftmusic, Carousell, Harlassen and Clouwbeck. He has released two albums of A Broken Consort material on his own private press, the Sustain-Release project. This creative press was born as a commemorative tribute to his late wife Louise, with the intention of publishing her artwork alongside his own musical offerings. The second A Broken Consort album Box of Birch, originally released in 2007, has recently been picked up and given a second airing via New York label Tompkins Square

It's difficult to encapsulate the type of music this is, classically orientated, yet adventurous and experimental, with a twist of an ambient brooding film soundtrack thrown in; a hybrid of musical families if you like! The promotional material suggests "Skelton creates powerful, instrumental music out of densely-layered acoustic guitar, bowed strings, piano, mandolin and accordion, often laced with delicate, shimmering percussion. The result is something utterly unique" It's hard to argue with that description and fans of Peter Broderick would do well to investigate further.

I have to confess had this one nearly slipped through the net, as I was alerted to it earlier in the year, yet put it on the back burner, despite taking to the music and being particularly impressed by the sumptuous packaging "It was originally published in a boxed edition that contained, among other things, birch twigs collected from the West Pennine Moors" Skelton showed beautiful attention to detail that pushed this release from being being just 'a product' into an artifact, longing to be treasured. It took a nudge from that venerable music magazine Mojo - designed for ageing rock collector bores, a demographic circle in which Scratchy hits right in the bulls eye, who have given Box Of Birch a favourable write up in their 'The Vinyl Countdown' column in the July 2009 issue.

Wednesday, 17 December 2008

Peter Broderick - Twelve Grooves Of Christmas Part 5

The festive season; you know it's not just about getting hammered at the office party then throwing up on the last train home, having roaring arguments with the in-laws or spending money in an orgy of consumer consumption, in the forlorn hope of keeping the kids' monstrous appetite for toy stimulation sated for a few hours.

This can also be the season to sit back and reflect on the trials and tribulations of the past twelve months, remembering the highs and lows of personal events that have affected one's friends and family. It's a time to take stock of what we would like to achieve in the coming year, plan the steps one must take in order to fulfill those burning ambitions and avoid any pitfalls that have recently encumbered our daily lives. As Del Boy used to say to Rodney in the television sitcom 'Only Fools and Horses' "This time next year, we'll be millionaires"


A perfect musical accompaniment to these precious moments of sanguine thought, can be captured through the languid beauty of Peter Broderick's music. His sublime second album, simply called 'Home' was released earlier this year to oodles of praise, indeed this record has even troubled some of the 'Best Of' end of year lists in the established media. The blend of neo-classical, alt folk and minimalism of Broderick's music, combines to deliver fragile but beautiful music that is haunting yet comforting as well. This talented young man has a promising future ahead of him and should be making a big impression on the music scene in 2009.



http://www.myspace.com/peterbroderick

Friday, 17 October 2008

Peter Broderick

It’s always a good sign when an album's content, defies pigeonholing and Peter Broderick’s style could be described as anything from classical, folk, Americana, minimalism, lo-fi, slowcore or a soundtrack to a pastoral scene.

The music he creates elicits responses like haunting, reflective, hypnotising, spine tingling, soothing, peaceful, beautiful and heart wrenching. The tender moments of Brian Eno, Michael Nyman and Harold Budd, or the more introspective sequences of Sigur Ros, spring to mind when referencing his musical bedfellows. Peter Broderick, is a classically trained multi-instrumentalist, born and raised in Portland, Oregon, who at the tender age of twenty one, is perched on the ledge of a creative mountain. He is set to take flight and soar towards the clouds of critical acclaim and hopefully ascending favourable thermals of popularity.

The melancholy charms of Peter was first heard on vinyl through an early single 'Retreat/Release' out in 2007 on Type Records, a mini album/maxi E.P titled 'Docile' soon followed on Kning Disk

‘Float’ was his first fully fledged album, it drifted into the public realm, back in May 2008 on Type Records. Short, sparse piano compositions, complemented by lush strings, dominate this mostly instrumental collection of ten songs. The resulting sombre yet atmospheric vibe yields a touching yet tentative debut.

Broderick, despite his tender years, has managed to chalk up an impressive list of collaborations and contributed to such luminaries as M. Ward, Zooey Deschanel’s She and Him project, Horse Feathers, Norfolk & Western, Loch Lomond ,White Hinterland, Library Tapes, Machinefabriek, Laura Gibson and Our Broken Garden.

In 2007, he moved to Copenhagen, joined Danish folk band Efterklang and spent the majority of the year, touring around Europe, performing as part of their live band.

The second album Home is out now on Bella Union, in Europe and Hush Records in America. Broderick has progressed into a more expansive sound with increasing use of delicate layered vocals and guitars. The use of percussion, banjo, mandolin, a saw, pump organ, field recordings and clay whistle show the variety of souces Peter uses to convey his own musical vision. Listening to the results, takes you to a warm safe place, like recalling a favourite hidey hole from childhood, a reassuring hug from a loved one, a secure retreat.

Home and Float have been pressed on a limited edition vinyl, this begs the question why limit these splendorous objects? it should be obligatory for every connoisseur of gorgeous, emotive music to own and cherish these records.

18 Oct 2008 Beurskaffe w/ Horse Feathers Brussels
20 Oct 2008 The Social w/ Our Broken GardenLondon
22 Oct 2008 INSTORE PERFORMANCE at Resident Records Brighton
23 Oct 2008 Moles Club Bath
24 Oct 2008 Taylor Johns House w/ Olafur Arnalds Coventry
02 Nov 2008 Union Chapel w/ Sylvain Chauveau and Greg Haines London
13 Nov 2008 Schokoladen Mitte w/ Berlin
29 Nov 2008 Uppsala Konsert & Kongress w/ Efterklang Uppsala
05 Dec 2008 Loppen w/ Mugison Gothenburg
06 Dec 2008 An Club w/ Efterklang Athens
08 Dec 2008 Hafenklang w/ Mugison Hamburg
09 Dec 2008 Loppen w/ Mugison Copenhagen
10 Dec 2008 Voxhall w/ Mugison Århus
11 Dec 2008 Posten w/ Mugison Odense
12 Dec 2008 Studenterhuset w/ Mugison Alborg
13 Dec 2008 State X Festival / Paard Den Haag
14 Dec 2008 Admiralspalast w/ Mugison Berlin
15 Dec 2008 Orangehouse w/ Mugison München

http://www.myspace.com/peterbroderick

http://www.themilkfactory.co.uk/st/2008/05/peter-broderick-float-type-recordings/

http://www.hushrecords.com/?cat=30

http://www.hushrecords.com/?page_id=328

http://www.efterklang.net/

http://www.myspace.com/efterklang