The Kiddieland Chorus - Songs For Children

There's mumblings in the media about the some sections of youth of today rejecting the cruddy sound of CD's and even worse noise of an mp3 and instead taking up the more decadent aural delights of vinyl records. Some of it is hipster bandwagoning, I'm sure, but it warms the cockles of my heart to know that the next generation of music lovers are ready to take on the mantle of being vinyl bores.

However this revolution isn't happening quick enough for my liking. For unless there's a tipping point of teenagers demanding to be able to buy the sounds of their latest favourite, fly by night indie band, pressed in that glorious black plastic, the likelihood of top quality record shops reappearing on the high street is going to remain a wistful pipe dream.

I yearn for the return of those dusty shabby overpriced music stores haphazardly stacked full of platters in no discernible order, run by insolent staff barely able to suppress their contempt for the customers. It's part of my cultural heritage visiting such establishments. The well worn ritual of tramping along to some inauspicious part of town, foregoing the convenience and comfort of being able to sit in front of my computer and ordering the latest 'must have' tracks in a jiffy for my music fix. This is an essential part of my cultural fibre and I demand to have the right to cross the threshold of a premise, as described above, to have my hard earned wonga relieved of me by some callow oik, who has correctly surmised that here comes another £50 man, recommend me the usual Snow Patrol and Fleetwood Mac remastered albums from the Dad rock section, before sending me merrily on my way clutching the bounty in a crisp plastic bag which will break five minutes down the road.

The only thing that's going to properly redress the balance and return music commerce to it's former glory, is to speed up the process of enlightenment for our poor misguided weens in a mass program of indoctrination, starting from the moment they can recognise sounds and visualise circles. I'm proposing blanket exposure to top quality nursery rhymes delivered via the magic of a child proof record player, preferably one that looks like a suitcase, a concession to quell any quibbles of lack of portability, i - phones eat your heat out, take a look at this little beauty shown here! the evidence is irrefutable.. the kid is captivated by the wonder of watching that single spin round and round, delivering three minutes of musical fun and it's so easy to flip that golden number over with none of the hassle of having to choose between the thousands of tunes stored in the library of a conventional mp3 player. The kids will thank us for it when they grow up and remember: children are our future!

The Kiddieland Chorus directed by actor Lee Gotch

A High Fidelity Programme of Nursery Rhymes: Activity Songs: Counting and Alphabet: Sleep Songs. Recorded at Capital Tower, Hollywood on the Pye Golden Guinea label.

Side One

Old King Cole

Mary Had Little Lamb

Peas Pudding Hot

Simple Simon

Sing A Song Of Sixpence

To Market, To Market
Ding Dong Bell

Little Jack Horner

Three Blind Mice

A Frog He Would A Wooing Go

Hickory Dickory Dock

Hey Diddle Diddle

Side Two

Old MacDonald Had A Farm

London Bridge
Mulberry Bush

Alphabet Song

Calendar Song
Ten Little Indians
Rock A Bye Baby

Sweet And Low

A couple of alternative covers are shown as well, including one featuring a rather dull woodland scene, via Jacob Whittaker (please contact me if you want this removed) apparently there's also a version featuring the legendary British actress Wendy Craig around but no images found so far.

Lee Gotch was behind The Ivy Barflies record which was full of drinking songs sung presumably aimed at college going party guys. Was this really a suitable role model to be involved in an album aimed at our impressionable youth!

www.flickr.com/photos/jacobwhittaker/4106635722/

www.rateyourmusic.com/artist/lee_gotchs_ivy_barflies

www.discogs.com/Lee-Gotchs-Ivy-Barflies-To-The-Tables-Down-At-Morys/release/1428401

http://rateyourmusic.com/release/album/the_kiddieland_chorus/songs_for_children_f1/bum/the_kiddieland_chorus/songs_for_children_f1/

The Antlers - Live Review

Acts: Official Secrets Act,
The Antlers and Graffiti 6
Location: Southampton U.K
Venue: Lennons
Date: 28/11/09

We were determined to catch a much anticipated performance by the Brooklyn based band The Antlers, whose Hospice album has been a slow burning success story of 2009 via the patronage of Pitchfork and it's ilk. It was self-released back in March 2009 and went on general release via French Kiss Records in August 2009. This short visit to the U.K has now catapulted the band's presence into the national arena with the national journos from The Times and The Guardian clambering on board to give it the horn.

Those journos have covered the London and Brighton legs of the tour, but it's up to the intrepid team here at Scratchy Buckles (myself and Platterhorn) to battle through the lashing rain in order to cover what must be the least prepossessing stop off on their jaunt around Europe. Yes, we're talking about being second on the bill in sodden Southampton's favourite student cheap 'n' cheerful nightclub Lennons; thankfully nothings changed in the years since I was last here frugging to the sounds of Britpop back in the 199o's (stop me now! before I turn into a voxpop for one of those cheapo 'I remember the Nineties' type of late night T.V fillers) and it promises to be a good honest intimate gig at this venue which is putting on some interesting gigs of late.

First up though, with their chance to make a mark on the wall of sound, was Graffiti 6 who put in a credible performance for the early birds. They're buoyed up with the gift of delivering a catchy tune in that genre that's tricky to master, i.e the soul/rock/pop crossover. Their breezy number Stare Into The Sun was used as part of a promo for a television ad promotion for The Sun newspaper back in Summer 2009. This must have been a useful boost to their fledgling career and it came as a surprise to us, when they mentioned at the end of delivering a polished and engaging set, that this was their first live gig.. The first of many successful performances I'm sure! and a band to keep an eye on.. a tip though, if I were you guys, I'd leave Liverpool off the tour list for the time being..

Graffiti 6 - Stare Into The Sun



The Antlers are a young trio from Brooklyn New York, who spent 2007/8 putting together a concept album of epic and haunting music. Lead singer Peter Silberman delivers aching soft vocals, interwoven with emotionally wrought crescendos, that turns the emotional screws to devastating effect. Michael Lerner’s sparse drumming plays off Darby Cicci’s downbeat keyboards to produce a taut post rock sound straddling between fragility and intense sonic outbursts. Their debut album ‘Hospice’ is a concept album about a carer looking after a girl who is terminally ill with cancer. What could have ended up a maudlin self indulgent mess is actually brooding and beautiful triumph, which is destined to be on many of the pundits 'Best of 2009' album lists.

It's clear from the opening chords that the band are going to pretty much play the songs through in the order of the album and so unfortunately the spine tingling opener the epic Kettering gets lost in the general hullabaloo of the crowd settling down. These guys obviously get swept into the intensity of delivering the songs with all their heart and soul and this means that the stage craft of commanding of the audience is slightly overlooked and so it takes a few numbers for them to capture the undivided attention the the crowd. This may be down to their inexperience or having to play to punters who haven't necessarily come to check out this band but slowly and surely the waverers are won over, as each song ramps up intensity of the atmosphere in the room. The more accessible uptempo numbers of Sylvia, Bear and Two in particular resonate with the crowd and as The Antlers' set draws to a close, it's clear that we've witnessed a very special show by a mesmerising and very talented band who are destined to make a considerable impact with their majestic music.

The Antlers - Kettering - taken from the debut Hospice on FrenchKiss Records Get it here

The video is unofficial and created by a fan using various photographs Original photographers listed here but has been compiled with such T.L.C that for me it's the definitive version and as good as anything the record company could put together.



http://www.antlersmusic.com/

http://www.myspace.com/theantlers

theantlershospice.blogspot.com

http://www.myspace.com/officialsecretsact

M1 Motorway Celebration

All over the news today, nestling between the usual reports of misery and despair, is the 'light' item about the landmark that is it's the fiftieth anniversary of the opening of the U.K's first motorway, imaginatively called the M1 read more here and here on the BBC.

The majority of driving residents of England have, at some time or other, experienced the dubious pleasures of travelling up or down this iconic motorway. For many commuters, it's part of their daily grind, driving some way along the 193 miles from Brent Cross in north-west London to Garforth near Leeds. Back in 1959, the Minister of Transport, Ernest Marples officially opened the original section, that paved (tarmac) the way for a brave new era of British motoring. To commemorate this milestone, the Roads Minister Chris Mole, is unveiling a plaque (nope, I've never heard of him either and surely he should be the Minister for Gardens instead).

Even though the original stretch of road was only 72 miles long, it was decided that drivers might need to stop for a rest, powder their nose and grab a bite to eat, thus the first service station was born. 'Watford Gap' (originally called the Blue Boar) opened in on the 2nd November 1959 and the rest is history so they say... of course most of us Brits are very familiar with this Great British Institution that is a Motorway Service Station but here's a here's a peek at what all the glories Watford Gap hold for the benefit of our international readers.

Of course the great misunderstanding about this service station is it's location, being situation no where near Watford (a fair to middling town close to London) but actually fifty miles or so miles up the country in the county of Northamptonshire. This place has actually come to symbolise the dividing line between North and South England and now some amateur actors have come up with their own affectionate tribute to this 'legend in it's own lunchtime' Watford Gap: The Musical

I have been pondering what to offer up as a Scratchy tribute to this anniversary and though it's hard to top St Etienne's 'Like A Motorway' for a pure pop pleasure, I feel the ultimate musical tribute to this tired travellers comfort stop has already been written back in 1977 and nothing will top it for capturing the pertinent atmosphere of the place and as a celebration of all things motorway like. Roy Harper's 'Watford Gap' taken from his 1977 album Bullinamingvase buy it here has the horse power to be the ultimate motorway anthem with just the right ingredients in the lyric department.

Just about a mile from where the motorways all merge
You can view the national edifice, a monumental splurge
It's the lonesome traveler's rotgut or bacterias' revenge
The great plastic spectacular descendant of Stonehenge
And the people come to worship on their death-defying wheels
Fancy-dressed as shovels for their death-defying meals

It's the Watford Gap, Watford Gap A plate of grease and a load of crap

At one a.m. on Sunday you can hear the boys declare
That the other team were fairies and the ref was Fred Astaire
It's Chopper Ronnie's fan club on their weekly pilgrimage
To stick the hero's boot in all the way from Stamford Bridge
And without a solid concrete-burger no night is complete
Plastic cups of used bathwater wash away defeat

It's the Watford Gap, Watford Gap A plate of grease and a load of crap

The traffic jam is rattling like a five-mile cornered snake
With fuming pieces falling off and steaming in its wake
The city's like a goolie in a groupie's stagnant womb
Spaghetti Junction's target in the vinegar strokes of doom
The countryside is ravaged like a syphilitic whore
Yodeling up the canyon is the dirty old Blue Boar

It's the Watford Gap, Watford Gap A plate of grease and a load of crap

Unsurprisingly the Service Station owners weren't too chuffed about this depiction of their pride and joy and Harper was forced to drop it from future U.K copies of the album, allegedly a member of the EMI board was also a member of the Watford Gap's Company board of directors. It reappeared on a later CD reissue and remained on the U.S LP.

Unfortunately, there isn't a decent video version of this classic but Watford Gap was the flip side of the song "One of Those Days in England", which featured backing vocals by Paul and Linda McCartney, this became became a Top 40 hit.

Roy Harper - One of Those Days in England - Live on Old Grey Whistle Test



http://www.msatrivia.co.uk/

http://www.motorwayservices.info/

http://www.royharper.com/

http://en.wikipedia.org/wiki/Roy_Harper

Tvärvägen - Pingvinvärmen

Tvärvägen is the brainchild of Henrik Ohberg, he is a one man band, making charming eclectic indie folk pop. He's also a part of Swedish indie folk band Ironville, so if he gets too lonesome, whilst inventing tunes in his cabin, he can hang out with those guys. I originally blogged a piece on his work here back in 2008, where I described his music as "a sound akin to 'An Old Curiosity Shop' being run by Noggin the Nog in a fading seaside town"

He has produced another lovely illustrated animated video for the song Pingvinvärmen and according to the blurb It's about a girl in a spacesuit, something that looks a little like a polar bear and some rolling creatures and a few birds. The title of the song translates into something along the lines of "The warmth of penguins" and I suggest you warm the cockles of your heart by checking this out.

Tvärvägen - Pingvinvärmen - The song is taken from the debut 2008 album 'Sånger från Tvärvägen' released on the Knoppar record label buy it here



http://www.myspace.com/tvarvagen

http://www.myspace.com/knoppar

http://knoppar.blogspot.com/

http://vimeo.com/album/130482

Baskery - Live In Texas

This is a montage of Baskery, performing a two hour set at the 'Luckenbach Festival' in Texas, U.S.A (more info here.. luckenbachtexas.com) Those three Swedish sisters look like they rocked the locals with their high tempo punky take on American country and roots music. What a cracking venue for a chilled out gig, taking in the vibes in the sun with a cool beer in your hand, all set against the backdrop of what looks like the local store from 'The Little House On The Prairie' It looks like a good time was had by all...

Many thanks to Matt Bynum for alerting me to his handiwork, it makes a pleasant change to see a nifty bit of film footage of a band, that's smoothly shot, high res and jolly smartly edited, rather than the usual shaky grainy mobile murky view of the backs of people's heads, which is unfortunately the norm on YouTube these days.

Baskery - Selected highlights - live at Luckenbach Texas on September 5 2009.

Directed by Matt Bynum, check out his camerawork at mattbynumfilms



Gig List

Baskery are coming the end of a long year of international touring, so American and U.K fans, you have missed your chance to catch them this time round, but the hoedown continues to roll out in Denmark!
Oct 14 2009 Heming, Denmark Fermaten
Oct 15 2009 Kolding, Denmark Godset
Oct 16 2009 Esbjerg, Denmark Tobakken
Oct 17 2009 Grenaa, Denmark Pavillionen
Oct 18 2009 Odense, Denmark Dexter

www.baskery.com/

http://www.myspace.com/baskery

http://www.verandarecords.com/

http://www.youtube.com/verandarecords

http://www.youtube.com/user/mattbynumfilms

Slow Club and First Aid Kit Live Review

Acts: Slow Club, First Aid Kit, Wise Children, Jojo and Patch
Location: Southampton, U.K
Venue: The Joiners
Date: 16/09/09

Jojo and Patch, it's a name that evokes an image of a perplexing children's animation from Eastern Europe featuring a malevolent clown and his organ grinding monkey chum! (this sort of thing was a regular feature on the schedules of The B.B.C back in the Seventies and was responsible for warping the fragile young minds of many susceptible children of my generation) Jojo or Patch, for I never worked out which one was he, opened up the evening's entertainment with a gentle set of songs. He has a pleasing understated singing voice that recalls a Damien Rice or Bill Callahan from Smog.

It restored my faith in listening to sensitive singer songwriter types, after witnessing a horrific open mic night earlier in the year, when I was on holiday earlier in the summer. A procession of gauche young men attempted to sing along in a Jack Johnson crossed with Kurt Cobain style to their bedsit penned ditties to the groaning drinkers/audience. I swear, at one point, one aspiring James Blunt slunk off stage with tears in his eyes, mumbling apologies for being so bad, having cleared the pub of punters during his brief stint.

No such problems for our man though, who kept the sprinkling of punters onboard with a stirring strum through a handful of his compositions plus a cover version (Tom McCrae?) Patch or Jojo joined his compadre onstage for the final part of their set, it helped by having an extra guitarist to fill out the sound and hinted at the potential that could really bear fruit as they develop. All in all, it was good mojo for Jojo and worth keeping an eye (patch) on.

Jojo and Patch - Don't Hang Your Head - Live at The Joiners 16/09/09



Next up were local indie folksters Wise Children, so far, they have a solitary eponymous self released four song E.P to their name, but they have recently signed up to Oxford based indie label Vacuous Pop.

They have recently evolved from being a moniker for singer/songwriter Robin Warren-Adamson's project, into a full blown band. The blurb quotes influences such as Nick Drake, Frightened Rabbit, Efterklang, Sigur Ros and Bon Iver, which tick all the right boxes to my mind.

A nice little interview of the band can be read here! and according to the BBC website featured here, they wanted to capture an earthy sound, so recorded one of the songs from the E.P in a Southampton cinema... well, I listened hard for the familiar background noises emanating from our local multiplex of constant effing and jeffing, mobile ring tones going off and occasional fights breaking out in the aisles, but all I could hear was beautifully crafted sweet songs, with just a hint of menace creeping out in the underbelly of the lyrics! The signature track for Wise Children is the heart melting 'I Found Her In The Bath' yes you guessed it, recorded in a bath!

The guys looked nervous as kittens as they coughed up some fur balls of folk that have a lovely indie texture. The photogenic foursome combine to produce electro acoustic guitar heavy harmonic folk rock and have within their ranks, a front man with enough charisma about him, to give the guys something very promising to build upon. It transpired that this was their first gig in their current line up, which explained, the slightly awkward pauses for tuning etc. Give 'em six months to iron out the rough edges and Wise Children could be a very promising proposition.

The venue filled out and expectations grew considerably with the arrival of First Aid Kit fresh from a End of the Road festival performance and a precursor to a short tour of the U.K with Fanfarlo. Regular Scratchy readers will be aware of our appreciation in previous postings of the musical talents of these two Swedish sisters, Klara and Johanna Soderberg and so there was much anticipation to hear the duo in action. I think that this was the first exposure to First Aid Kit for the majority of the audience, but I got the distinct impression that most of them perked up very quickly and were well on the way to being converted by the final song.

As far as I remember, the set list included (In The Morning) My Daddio?, Our Own Pretty Ways, Your Not Coming Home Tonight, Jagadamba You Might, Tangerine, Tiger Mountain Peasant Song, The Universal Soldier and finishing with I'm In Love With The King (Disclaimer I must remember to make a more accurate record of these things at the time and not a week later so accuracy cannot be guaranteed)

The extended touring schedule has really paid dividends as the girls put in a polished performance exuding confidence in their material and their ability to deliver it with panache. Sometimes, one has to remind yourself that these siblings are still in the early stages of their career as their voices combine so effectively and they will in time, mature in their singing and songwriting skills. It's exciting to think that hopefully there's so much more to come, a musical Médecins Sans Frontières for your ears!

First Aid Kit - Hard Believer - produced by Varelsen http://www.varelsen.com/
out on the 05/10/09 along with the new song 'Waltz for Richard' on Wichita Recordings



You know, when it comes to "getting it" with certain bands you sometimes just have to go out and see a them do their thang in the right setting, then it all clicks into place. Slow Club are one of these bands, with a reputation has been steadily growing and have been bubbling up to the boil on the blogosphere cooker for awhile now, yet investigations in the Scratchy kitchen have been rather tardy up to now, so this was a great opportunity to see what the fuss was about.

Charles Watson and Rebecca Taylor are a compelling indie double act, they go together like strawberries and cream or Morecambe and Wise. The in-between song banter might be reminiscent of Jack and Vera Duckworth raiding the cocktail cabinet and getting sloshed on "a long slow comfortable folk up against the wall" at times, but make no mistake, this duo are serious about making punchy frantic organic indie pop songs and when Rebecca is beating the hell out of her drums, as Charles is thrashing out those guitar riffs, the image of a folk tinged White Stripes is absorbing and exhilarating to witness.

Some good snaps of the the main band's performance on the evening can be seen here...
Slow Club photos Fortunately, Platterhorn and I just about avoided being caught on film, with all the 'lowering the cool count' consequences that this would have entailed!

Slow Club - Trophy Room - video directed by Peter Ohs
Track taken from the 2009 debut album 'Yeah So' out on Moshi Moshi Records. buy it here



Slow Club On Tour

25/09/09 - Tunbridge, GB (Wells Forum)
26/09/09 - Glasgow, GB (The Classic Grand)
27/09/09 - Aberdeen, GB (Tunnels)
29/09/09 - Leeds, GB (Brudenell)
30/09/09 - York, GB (City Screen)
01/10/09 - Derby, GB (Rockhouse)
02/10/09 - Wolverton, GB (Milton Keynes Craufurd Arms)
03/10/09 - Reading, GB (South Street)
06/10/09 - Manchester, GB (Moholive)
07/10/09 - Wrexham, GB (Central Station)
08/10/09 - Kingston, GB (McLusky's)
09/10/09 - Crewe, GB (The Box)
10/10/09 - Bath, GB (Moles)

http://www.myspace.com/slowclub

http://thisisfirstaidkit.com/

http://www.myspace.com/thisisfirstaidkit

www.myspace.com/wisechildrenuk

http://www.myspace.com/jojopatch

A useful review of the evening's events can be found here

Matt Bauer - As She Came Out Of The Water

Purveyor of spine tingling Americana music, Matt Bauer is dusting down his banjo, packing the throat lozenges and heading out on an extensive tour of the U.S.A and France (No mention of the U.K at the moment but if we ask nicely, perhaps he'll stop by)

I first wrote about the brooding banjo maestro here back in August 2008 and again during my 12 Grooves of Christmas awarding him a prodigious "Scratchy Seal of Approval" for 2008.

If you were blown away by Bon Iver's 2007 album For Emma, Forever Ago and let's face it, most of the music blogging behemoth were drooling over this last year, including myself, you'll be just as impressed by Matt's earthy approach to creating atmospheric haunting folk tunes. I always like the way he manages to respectfully nod towards his American musical roots in his songwriting, without being overly reverential, thus ensuring his music has a timeless quality to it. For a big grizzly bear of a man, he produces an intimate singing style, a ghostly whisper yet his singing demands attention and the substance of the stories quickly draw in the listener.

This was the lead track Don't Let Me Out from the album the 2008 album The Island Moved in the Storm.. buy it here

A new video has just been posted up for one of the tracks from the above album released via La Société Expéditionnaire, it's a thing of subtle beauty.

Matt Bauer - As She Came Out of the Water (Matt shot the footage) edited by Jenny Lee and features Miss Melaena Cadiz.



Upcoming Tour
NORTH AMERICAN TOUR SUPPORTING JOLIE HOLLAND:
09/15/09 - Montreal, Quebec - La Sala Rossa
09/16/09 - Portland, ME - Space
09/17/09 - Boston, MA - Brattle Theater
09/18/09 - New York, NY - (le) Poisson Rouge
09/19/09 - Philadelphia, PA - The M Room
09/20/09 - Charlottesville, VA - The Southern
09/21/09 - Carrboro, NC - The Arts Center
09/22/09 - Charlotte, NC - Double Door Inn
09/24/09 - Decatur, GA - Eddie's Attic
09/25/09 - Birmingham, AL - Bottletree
09/26/09 - New Orleans, LA - The Parish
09/27/09 - Houston, TX - McGonigel’s Mucky Duck
09/28/09 - Austin, TX - Stubb's
09/30/09 - Tucson, AZ - Club Congress
10/06/09 - San Francisco, CA - Ghost Mansion
10/07/09 - Davis, CA - TBA
10/08/09 - Sacramento, CA - Luigi's Fun Garden
10/09/09 - Salt Lake City, UT - Urban Lounge
10/10/09 - Denver, CO - Walnut Room
10/11/09 - Omaha, NE - Waiting Room
10/12/09 - Minneapolis, MN - Varsity Theater
10/13/09 - Madison, WI - High Noon Saloon

10/14/09 - Chicago, IL - Shuba’s

10/15/09 - Bloomington, IN - Russian Recording

10/16/09 - Lexington, KY - The Dame

10/17/09 - Nelsonville, OH - Stuart’s Opera House

FRANCE

10/27/09 - LaBouche d'Air - Nantes, France

10/28/09 - La Lunes Des Pirates - Amiens, France

10/29/09 - TBA - Lille, France

10/30/09 - Collegiale -Vitry-le Fracois, France

10/31/09 - Le Cafe De La Danse - Paris, France

http://www.myspace.com/mattbauer

http://la-soc.com/mattbauer.html

http://www.hinah.com/catalog/?l=en&t=g&ref=hinahgift024

http://www.mattbauermusic.com/

Hear This! 'Hanging out with Itchy and Scratchy'

People often ask me, what's it like hanging out at Scratchy Towers? usually followed by comments such as "I bet it's just one long session of wine, wimmin' and song" "it must be one long groovy party, what with all those legendary vinyl platters being given a spin" and "Do you live your life like a superstar D.J?"

Well my inquisitive vinyl loving chums, I usually like to keep a low profile to keep out of the tabloids, but I can exclusively reveal that life at Scratchy Towers is all of the above and so much more. Here is a rare photo of myself and Mr Knackers in deep discussion, at the H.Q command centre. We've taken a short break from the non stop hedonism, in order to sort the wheat from the chaff, deciding which platters really matter and should be given a spin at the next non stop banging V.I.P rave.

O.K, it's actually a rather lovely oddity of a record, featuring a conversation between the late Bob Auger, a highly respected sound engineer and Bob Hardcastle, a leading music producer (any further information on Mr Hardcastle would be appreciated)

Bob Auger worked on "a number of high-profile public occasions both in the pop and classical fields. These included as varied events as the 1969 Isle of Wight Pop Festival, the Rolling Stones in Hyde Park, Frank Sinatra's charity concert at the Festival Hall and Karlheinz Stockhausen's concert in the same hall in the mid-1970s" He also turned his talents to some of the most famous pop songs to come out of Pye Records in the Sixties such as The Kinks "You Really Got Me" "Sunny Afternoon"The Animals "House of the Rising Sun" and The Spencer Davis Group "Keep on Running"

Hear This! 1981 Discourses Limited DCL 1224

Side One
Reinhold Gliere Symphony No.3 in B minor
John Stanley Six Organ Concertos Op 10 No 5 in A major
Ludwig Van Beethoven The Piano Concerto No 4 in G major
Carl Maria Von Weber Concertino in E flat Op 26
Franz Schubert Piano Quintet in A Major
Scott Joplin Extract from Sunflower Slow Drag

Side 2
Antonio Vivaldi The Four Seasons Concerto No 3 (Autumn)
Joseph Haydn Symphony No 104
Enrique Granados Marche Militaire
Claude Debussy Images
Edvard Grieg Olav Trygvason

In between each extract our two Bobs discuss such important matters as recording locations, The best of mono, channel tests and microphone placement, balance,multi-microphone techniques and multi-track recording, tape editing, dolby and non-dolby comparison and digital recording and the future.

As it says on the cover "Your unique invitation to join a well-known engineer and a producer talking about good recorded sound, from the early days of mono to superb digital recordings of the 1980's" Thanks for the invite gents, it was a pleasure.

http://www.independent.co.uk/arts-entertainment/obituary-bob-auger-1068562.html

http://wiki.ibs.org.uk/audiocompendium/index.php?title=Auger